York Opera

The Magic Flute

BY W.A. MOZART (SUNG IN ENGLISH)

2nd-6th November 2021

York Theatre Royal

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Mozart’s last great operatic work, The Magic Flute [Die Zauberflöte] was first performed barely a month before the composer’s death in 1791 at the age of 35.

 

Synopsis

The opera is set in a legendary time and place.

A handsome prince, Tamino, is lost in a strange land, and is being pursued by a monster. Three mysterious women appear, who are servants of the Queen of Night, and they slay the monster. Afterwards, they give Tamino a portrait of the Queen’s daughter, Pamina, and he falls instantly in love, vowing to rescue her from the evil Sarastro, Priest of the Sun, in whose faraway Temple she has been imprisoned. The three women give Tamino a magic flute to help in his quest and, with the aid of a bird-catcher, Papageno, Tamino journeys to Sarastro’s temple, where he meets Pamina for the first time.

Tamino learns that it is not Sarastro who is evil but the Queen of Night and that Pamina was only being held to keep her hidden from her mother. Sarastro gives Tamino a new quest. He must now undergo a series of trials to prove himself worthy of Pamina’s love.

Using the power of the magic flute, Tamino and Pamina are able to overcome their trials and earn the right to be with each other. At the moment of their success, the Queen of Night arrives with her servants to storm the temple and destroy it, but Sarastro appears and defeats them, casting them out. The sun rises on a new era for the united heroes.

(Copied and slightly adapted by permission from Opera North, with our grateful thanks.)

Act 1

  • Tamino, a young prince is pursued by a serpent. Fainting, he is rescued by three ladies, servants of the Queen of Night, who argue over the attractive young man. They reluctantly leave having not settled their dispute.

    On waking, still alive he is confronted by Pagageno, the pipe-playing bird catcher, and in the ladies’ absence believes that it is Papageno who has killed the creature. Leaping on his opportunity, Papageno happily takes the credit, until the three ladies suddenly reappear to reproach him for lying to Tamino, and punish him with only water to drink, a stone to eat, and a padlock on his mouth

    To Tamino they present a present from the Queen of Night - a portrait of her daughter, with whom Tamino instantly falls in love. The ladies tell Tamino that she has been captured by Sarastro, supposedly a powerful and evil demon. Tamino vows to rescue her, and the Queen of the Night arrives to promise that Pamina will be his. 

    The queen leaves and the ladies who remove the padlock from Papageno’s mouth with a stern warning, and present Tamino with a gift: a magic flute which has the power to change sorrow to joy. They give Papageno magic bells for protection. They are introduced to three Genii who will guide them both to Sarastro’s temple.

  • Pamina is dragged in by Sarastro's slaves, apparently having tried to escape. Monostatos, chief of the slaves, orders the slaves to chain her and leave him alone with her. Papageno, sent ahead by Tamino to help find Pamina, enters. Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love.

  • Tamino is led to Sarastro’s temple, readying him to rescue Pamina. He is confronted by voices from within, but an Orator lets him in, telling him that Sarastro is in fact benevolent, and that he should not trust the Queen of Night. 

    Tamino plays his magic flute, animals appear and dance, and in response he hears Papageno’s pipes offstage, and heads off to find him, whilst Papageno and Pamino arrive in search of him. They are captured by Monostatos and his band of slaves, but Papageno plays his magic bells, putting the slaves into a trance, dancing off the stage.

    On hearing the sound of Sarastro’s retinue escape, Pagageno cowers in fear, as Pamino advises him to tell the truth. Sarastro enters, followed by a cheering crowd. Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her. Sarastro receives her kindly and assures her that he wishes only for her happiness. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. 

    Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina's husband. The priests declare that virtue and righteousness will sanctify life and make mortals like gods.

Act 2

  • The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. He invokes the gods Isis and Osiris, asking them to protect Tamino and Pamina.

  • Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence. The three ladies appear and try to frighten Tamino and Papageno into speaking. Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion.

  • Pamina is asleep. Monostatos approaches and gazes upon her with rapture. He is about to kiss the sleeping Pamina, when the Queen of the Night appears. Monostatos hides. In response to the Queen's questioning, Pamina explains that Tamino is joining Sarastro's brotherhood and that she is thinking of accompanying him. The Queen is not pleased. She explains that her husband, the previous owner of the temple, on his deathbed gave the ownership to Sarastro instead of to her, rendering the Queen powerless. She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. She leaves. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain.

  • Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the Three Genii bring in food, the magic flute, and the bells, sent from Sarastro. Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. She leaves in despair.

  • The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order. Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.

  • The three Genii hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The child-spirits restrain her and reassure her of Tamino's love.

  • Two men in armor lead in Tamino. They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death. Tamino declares that he is ready to be tested. Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her. Pamina enters and declares her intention to undergo the remaining trials with him. She hands him the magic flute to help them through the trials. Protected by the music of the magic flute, they pass unscathed through chambers of fire and water.

  • Papageno despairs at having lost Papagena and decides to hang himself . The three Genii appear and stop him. They advise him to play his magic bells to summon Papagena. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together

  • The traitorous Monostatos appears with the Queen of Night and her three ladies. They plot to destroy the temple and the Queen confirms that she has promised her daughter Pamina to Monostatos. But before the conspirators can enter the temple, they are magically cast out into eternal night.

  • Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. Animals appear again and dance in the sun.

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Did you know…?

This will be the fourth time York Opera have performed The Magic Flute? In 1992, 1996, and 2009.

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 Cast

(in order of appearance)

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Hamish Brown - Tamino

Hamish Brown has sung with York Opera since 2008 in such roles as Eisenstein (Die Fledermaus), Frederick (Pirates of Penzance), Richard (Ruddigore), Fairfax (Yeomen of the Guard), Basilio (Marriage of Figaro), Pong (Turandot) and Ishmael (Nabucco). He is from Bearsden near Glasgow and has studied both Maths at Edinburgh University and Opera at the Royal Conservatoire of Scotland. He has sung with many opera companies in his time including Grange Park, Pimlico, New Cambridge and British Youth Operas, the London Opera Players, Bristol and Bath Operas and several G & S Companies. Major roles include Albert (Albert Herring), Quint (Turn of the Screw), Alfredo (La Traviata), Gerald (Lakmé) and Marco (The Gondeliers). Hamish has lived in York since 2018 and teaches Maths at York College.

David Valsamidis - Papageno

Bass-baritone David Valsamidis graduated from the Masters in Vocal Ensemble Performance from the University of York in 2021 and is a Choral Scholar at York Minster. Previous productions include The University of York Opera Society’s production of A Dinner Engagement by Lennox Berkeley in 2020, the chorus in I Fagiolini's production of Orfeo in summer 2019, and Polyphemus in Handel's Acis and Galatea in Nottingham in 2017.

Annabel van Griethuysen - 1st Lady

Annabel has been a member of York Opera for the past 5 years. In that time she has played Lady Sapphir in Patience, Susanna in The Marriage of Figaro and the titular Carmen

She's enjoyed being the First Lady to life, bringing sass, attitude and a lot of frock.

Rebecca Smith - 2nd Lady

Rebecca joined York Opera in 2007 and has performed various roles with the Company.  Her last two performances were as Marcellina in The Marriage of Figaro and she also had great fun playing the Duchess of Plaza Toro in Gilbert and Sullivan's operetta The Gondoliers.  Rebecca teaches the piano privately and at three schools in York.  She studies singing with Jacqueline Edwards and is looking forward to cavorting around the stage with Annabel and Maggie.

Maggie Soper - 3rd Lady

Maggie is a recently retired paediatric physiotherapist and a longstanding member of York Opera. As well as singing, she is responsible for costume design and production.


Previous roles with York Opera include Florence Pike in Britten's Albert Herring, Katisha (The Mikado), Dame Hannah (Ruddigore), Lucia (Cavalleria Rusticana), Mistress of the Novices- Suor Angelica and both 3rd spirit and 3rd lady in previous productions of The Magic Flute.

Heather Watts - Queen of Night

Heather trained at the University of Texas and the Royal College of Music. She has a family and teaches voice at several primary and secondary schools in the area. She last sang this role with york opera 12 years ago whilst 8 months pregnant. 

Victoria Beale - 1st Spirit

Victoria last performed with York Opera as the excitable Fiametta in their production of Gilbert & Sullivan's The Gondoliers at York Theatre Royal in 2019. More recently she enjoyed singing gleefully about a (fictional) execution as Pitti-Sing in the Joseph Rowntree Theatre Company's production of The Mikado. Victoria also sings regularly with the University of York Chamber Choir and University of York choir.

Hannah Just - 2nd Spirit

Hannah is a second year student at Leeds Conservatoire under the tuition of Adriana Festeu (mezzo) and has obtained a variety of performance experience as a soloist and within choirs. She was a member of the City of Birmingham Symphony Orchestra’s Youth Chorus, frequently performing in Birmingham Symphony Hall under the likes of Sir Simon Rattle, and has performed as a soloist for the BBC on numerous occasions, such as their annual Celebration of Christmas at the Malvern Theatres in 2016 and 2019. Hannah recently made her operatic debut as Dido in Purcell’s Dido and Aeneas at Leeds Conservatoire and is excited to be performing in her second opera.

Maggie Smales - 3rd Spirit

Maggie has not sung in an opera since schooldays in the early 1970s! As a theatre maker and performer more often seen in other genres, Maggie is delighted to be a part of the York Opera community with this production of The Magic Flute. She was performing in Tom’s Midnight Garden with Pickmeup Theatre Company when the first lockdown occurred and is happy to see the performing arts rising again for all those who rely on the industry and for all those who love live arts.

She has directed When the Rain Stops Falling, Blue Stockings (York Theatre Royal) and Henry V in recent years as well as performing in Follies, Me and My Girl, Twilight Robbery, The Winter's Tale and The Mystery Plays.

Alexandra Mather - Pamina

Alexandra is excited to be in her fourth York Opera show, having previously played Lady Ella in Patience, Micaela in Carmen, and Casilda in The Gondoliers. Other roles have included Aline (The Sorcerer), Iolanthe (Iolanthe), Josephine (HMS Pinafore at the International Gilbert and Sullivan Festival), and Jellyorum, (CATS) for Pick Me Up Theatre. She is also a member of the Glyndebourne Academy, a development scheme for young singers.

Ian Thompson Smith - Monostatos

Ian studied music at the University of Hull.  He first sang with York Opera in 1986 in an extract from The Marriage of Figaro, and has managed to continue this interest ever since alongside his job as headteacher at a primary school in Leeds.

Mark Simmonds - Sarastro

Mark is happy to be returning for his third York Opera production, having previously appeared as Dr Bartolo in The Marriage of Figaro and Don Alhambra in The Gondoliers. Other recent roles include KoKo in The Mikado, Mr Hopkins in Made in Dagenham, and Ralph in Kiss Me Kate, all at the Joseph Rowntree Theatre.

Clive Goodhead - Orator

During the pandemic, our president, Clive Goodhead has obtained the support of international diva, Danielle de Nisa, for York Opera's Stepping Stones project, supporting aspiring young singers. Thus this production of The Magic Flute has received a mention in the October issue of Opera Magazine.

Clive's former principal Mozart roles include Count Almaviva in The Marriage of Figaro, the title role of Don Giovanni, and of course, Pappageno in The Magic Flute. He also played Poor Klaus in our world premiere of Hans Gál's Rich Klaus, Poor Klaus.

James Sanderson - Priest

This will be James' second on-stage role for York Opera, although he has been involved with the group as a repetiteur since 2015. He previously played the role of Don Curzio in The Marriage of Figaro in 2019. Aside from his priestly antics on stage, listen out for his cameo appearances in the orchestra playing Papageno's magic bells!

Anthony Gardiner - 2nd Priest

Anthony, who runs an occupational psychology consultancy, joined York Opera in 2014 to portray the Sergeant of Police in The Pirates of Penzance. Other roles with York Opera include Frank in Die Fledermaus (2015) and Colonel Calverley in Patience (2017). His most recent stage appearance was as Walter de Courcey in The Bev Jones Music Company’s 2019 production of Chess. The Magic Flute marks his first appearance on stage with Papagena since their engagement!

Ben Rice - Priest

Ben is a first study singer, currently in his 3rd year reading music at York. Recent singing activities include touring with the Choir of Queen’s College, Cambridge, and a week in Armagh with the Charles Wood Singers, recording for the BBC.

Elizabeth Vile - Papagena

Elizabeth joined York Opera for Tales of Disguise and Deception in 2016 and she is thoroughly enjoying playing the part of the magical Papagana in this production of The Magic Flute. Before moving up to York in 2015, she performed in a variety of musicals, operettas and plays in local amateur companies in Kent. Of the roles she has played, her favourites include; Patience in Patience, Yum Yum in The Mikado, Frasquita in Carmen and Cherubino in The Marriage of Figaro. When she isn’t singing and acting, she is Head of Drama at a rural Secondary School. 

Chorus

Lynn Bingham

Chloe Crowder

Will Gausden

Wendy Jackson

Ben Lindley

Sue Lindley

Clive Marshall

Cathy Moore

Pat Mortimer

Bill Reed

Gareth Rees

Rebecca Reid

Paul Richardson

Sandra Rowan

Mandy Shackleton

Joan Sinanan

Elizabeth Vile

Dominika Warecka

Hannah Cahill

Owen Williams

Steve Wilson

James Wood

Jane Woolgar

Understudies

Tamino

Karl Reiff

1st Lady

Julia Ledger

2nd Lady

Sue Lindley

3rd Lady

Mandy Shackleton

Papageno

Anthony Gardner

Queen of Night

Emily Higgins

Pamina

Cherie Tse

Monostatos

Ed Sturmheit

Orator

Ben Lindley

1st spirit

Hannah Cahill

2nd spirit

Rosy Jamieson

3rd spirit

Jane Woolgar

Sarastro

Ben Rice

Papagena

Jennifer Grant

1st Priest

Owen Williams

2nd Priest

Ben Lindley

Priest, Guardian of Fire

James Sanderson

Priest, Guardian of Water

Gareth Rees

 Crew

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Derek Chivers - Musical Director

Derek is a composer, performer, conductor and educator based in York. Derek has been making music in York for over four decades, initially through his studies at the University of York, and subsequently as a member of many of York’s musical ensembles. Derek’s association with York Opera is also long-term, mostly (like Nanki Poo) ‘in the guise of a 2nd Trombone’, but more recently as Musical Director for The Merry Wives of Windsor, Die Fledermaus, Amahl and The Night Visitors and Carmen. Derek’s compositions have been heard at concerts around the country and on BBC Radio 3 and he is currently Principal examiner for composition for A level Music. For many years the Director of Music at the Mount School, Derek has also tutored in Music at Durham University. Outside ‘the pit’ Derek is a member of the Scarborough and Ryedale Mountain Rescue Team, and during the last year has been working as a Covid-19 Vaccinator.

John Soper - Stage Director

Since 1971, John has been involved in many of York opera’s productions, either as a principal singer or a member of the chorus. He has also been one of our main publicity and set designers with more than 75 productions under his belt.

He has also turned his hand to directing some of our past productions, Dido and Aeneas, Amahal and the Night Visitors, The First Nowell, La traviata, La Boheme, Don Giovanni and Falstaff. This production of The Magic Flute will be the second time that he has directed the opera since 2009.

Now semi retired John can be found taking groups of interested visitors on back stage history tours around the countries second oldest theatre, York Theatre Royal built in 1744. Over the years, his wife Maggie [playing Third Lady in this production] has been responsible for the design and production of our costumes. Their daughter a professional actor has also performed here at York Theatre Royal in their summer production of Swallows and Amazons.

Assistant Director

Pierre van Griethyusen

Stage Manager

Jill Standish

Set Designer

John Soper

Lighting Designer

Eric Lund

Set Painting

Paul Richardson

Steve Griffiths

Clive Marshall

John Soper

Set Construction

Bill Ankers

Tony Burton

Costume Design

Maggie Soper

Costume Production

Maggie Soper

Anna Day

Sandra Rowan

Properties

Patricia Easton

Sue Goodhead

Make-up

Pat Mortimer

Publicity Design

John Soper

Publicity Team

Wendy Jackson

Pauline Marshall

Publicity Photographs

John Saunders

Repetiteurs & Accompanists

Steve Griffiths

Alasdair Jamieson

Myrna Michell

 James Sanderson

Tim Tozer

Dress Rehearsal Photographs

Nigel Lindley

Programme

James Wood

Website

James Wood

Orchestra

Violins

Claire Jowett (Leader)

Clare Wake

Robert Webb

Heather Marvin

Rome Sigsworth

Viola

Clare Brind

Rachel Meredith

Violincello

Margaret Bryan

Julia Brewer

Double Bass

Alan Easterbrook

Flute

Della Blood

Oboe

Jane Wright

Clarinet

Kate White

Bassoon

Isabel Dowell

Horn

Janus Wadsworth

Mark Sykes

Trumpet

Charles Brewer

Trombone

Anna Marshall

Derek Chivers

Jonathan Hailstone

Timani

Francesca Rochester

Bells

James Sanderson

 Press

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ARTICLE: York Opera to return to York Theatre Royal after two-year hiatus with The Magic Flute

York Evening Press | Charles Hutchinson | 26th October 2021

View Article

INTERVIEW: David Valsamidis

BBC Radio York | Jonathan Cowap | 25th October 2021

Galleries

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